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Al!CE


A surreal comic fable about a modern Alice trying to make an AI film for a competition, as Brooklyn reality, Lewis Carroll’s Wonderland and the filmmaking process intertwine in a recursive loop. The visual world is inspired by Sir John Tenniel’s original public domain illustrations, reimagined through contemporary fashion, photography, cinema and new generative tools. The full production process and source materials are publicly available.

Tim & Louis in Hollywood. Pilot episode

mimagie. We feel your pain

mimagie experiments with genres and emotions, shaping a new cinematic language for the age of generative film

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Le Dernier Souhait


What if one last wish could change the world? In the grim heart of the French Revolution, a condemned man about to meet the guillotine makes an impossible request: a Pepsi. This satirical short fuses epic historical drama with sharp modern humour as a single beverage momentarily halts a revolution and rewrites history. The impossible feels part of reality and the absurd almost documentary, with even a crowned Emmanuel Macron portrayed with sober realism. The condemned man’s final request becomes a metaphor for the creative prompt: an idea that sets everything in motion.

SHAIKE logo – Le Dernier Souhait


Don’t Worry. Be Happy


A witty, life-affirming thriller about destiny, appetite, and courage. Food that was made to be eaten sings the classic hit “Don’t Worry, Be Happy” as it is served, sliced, and savoured. As the meals face their fate with a crooked grin, viewers recognise something of themselves. We are all on the line, we all have to pull through, and if even these edible heroes find a melody for tomorrow, so can we. Every shot is composed like a poster, and every close-up turns ordinary food into a tiny leading actor.

Ads of the World logo – Don’t Worry. Be Happy
SHAIKE logo – Don’t Worry. Be Happy
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This AI Is Disgusting


This is a sharp, funny time capsule of the moment the public first flinched at generative imagery—calling out the cringe even as they wondered whether to accept a new reality. On the other side stand the evangelists, cheering a bold visual language and tossing out the old rules of realism. This short stages that collision with precision and wit: you’ll laugh, you’ll wince, and you’ll recognise yourself in the shock, the fascination, and the uneasy thrill of watching a new medium find its voice.

Official Selection, AI Film Festival Japan 2025
Official Selection, AI Film Awards Venice 2025
Official Selection, AI Film 3 – AI Film and Art Festival Arizona 2025
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District 9


This surreal, non-linear art film captures the fractured experience of an alien being on Earth. Through a haunting, poetic narration, the film splices together dreamlike vignettes of capture, experimentation, and transformation. We see the alien as a test subject on an autopsy table, as a priest getting a mugshot, and in bizarre encounters with a Lucha Libre wrestler. The narrator, the alien herself, recounts losing her past and having a “second heart” planted within her. A meditation on trauma, identity, and escape, the film culminates in a dark warning about the human cost of “research”.